Broadway's latest spring productions demonstrated impressive box office performance during the week ending March 22, with several shows achieving near-capacity or sold-out houses.
Among the standout performers, the reimagined Cats: The Jellicle Ball—a fresh take on Andrew Lloyd Webber's musical infused with Harlem ball culture—generated $612,084 across its initial four preview performances at the Broadhurst Theatre, completely filling the venue. The production is scheduled to officially open on April 7.
The Fear of 13, featuring Adrien Brody in a wrongful conviction narrative, brought in $474,131 during three preview showings at the James Earl Jones Theatre, reaching 98% capacity. Its opening is set for April 15.
Second Stage's nonprofit presentation of Becky Shaw, Gina Gionfriddo's play starring Patrick Ball from The Pitt, Alden Ehrenreich, Madeline Brewer, and Linda Emond, launched previews at the Hayes Theatre. The production earned $213,904 over five performances with 97% occupancy, ahead of its April 6 opening.
Several productions crossed or maintained the million-dollar threshold. Dog Day Afternoon, featuring Jon Bernthal and Ebon Moss-Bachrach, collected $1,212,642 during its second preview week at the August Wilson Theatre (opening March 30). Death of a Salesman accumulated $1,070,078 before its April 9 Winter Garden opening, while Giant—receiving strong critical reception—earned $1,064,840 in its final preview week before opening night at the Music Box.
Chicago experienced a significant decline, dropping over $600,000 to $836,815 from the prior week's $1,457,931, attributed to Mormon Wives personality Whitney Leavitt's absence (she returned the following week). Despite the revenue dip, the Ambassador Theatre maintained 90% attendance.
Complete sellouts included Cats: The Jellicle Ball, Dog Day Afternoon, Every Brilliant Thing, Hadestown, Hamilton, Harry Potter and the Cursed Child, Just in Time, Operation Mincemeat, Ragtime, and The Outsiders. Productions reaching 95% capacity or higher included Juliet, Aladdin, Becky Shaw, Buena Vista Social Club, Death of a Salesman, Giant, Maybe Happy Ending, Moulin Rouge, Oh, Mary!, Stranger Things: The First Shadow, The Book of Mormon, The Fear of 13, The Great Gatsby, The Lion King, and Wicked.
Revenue leaders were Harry Potter and the Cursed Child ($2,640,156), Hamilton ($2,403,815), The Lion King ($2,011,820), Wicked ($1,949,418), and Just in Time ($1,871,764).
Just in Time commanded the highest average ticket price at $327.98, driven by demand to see Jonathan Groff before his March 29 departure. Hamilton followed with an average of $224.15, compared to the overall Broadway average of $134.78 across all 31 productions.
Collectively, Broadway's 31 shows generated $36,769,360, representing a 12% increase from the previous week but a 2% decrease compared to the same period last season. Total attendance reached 272,806, up 7% week-over-week but down 2% year-over-year.
Through the 43rd week of the 2025-26 season, Broadway has accumulated $1,549,367,378 in gross revenue—approximately 7% higher than the previous year—with cumulative attendance of 11,645,418, up 3%.
Data provided by the Broadway League; additional box office details available on the League's official website.
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